Changing Endings

Peter Pan and its different endings (and beginnings)

As mentioned in the beginning, Barrie continually tinkered with Peter. Peter made his first appearance in The Little White Bird which was later published as Peter Pan in Kensington Garden. A famous set of illustrations was created by Arthur Rackham (who’s work we’ve seen in several modules already.)

Ink illustration of a goat leaping in front of a tree with a baby on its back
Arthur Rackham, Peter Pan in Kensington Garden, 1912, Public Domain via Wikimedia Commons
Watercolor with blue background of a baby on a toadstool with pipes, below small strange fairy figures dance
Illustration by Arthur Rackham,”Peter Pan Peter Pan in Kensington Garden, 1906, Public Domain
muted palette water color of a baby in white gown flying through the clouds above factories spewing smoke
Illustration by Arthur Rackham, “Away he flew” Peter Pan in Kensington Garden, 1906, Public Domain
watercolor of a kite with a tail with white ribbons being pulled by birds, a baby is below
Illustration by Arthur Rackham, “Peter Pan screamed out” Peter Pan in Kensington Garden, 1906, Public Domain

Initially, the ending of the play and the novel differed, as you will see here. The ending in the novelization was later incorporated into most stage productions of the play.


Chapter 17 – When Wendy Grew Up, J.M Barrie (Below)

When Wendy Grew Up – Chapter 17

I hope you want to know what became of the other boys. They were waiting below to give Wendy time to explain about them; and when they had counted five hundred they went up. They went up by the stair, because they thought this would make a better impression. They stood in a row in front of Mrs. Darling, with their hats off, and wishing they were not wearing their pirate clothes. They said nothing, but their eyes asked her to have them. They ought to have looked at Mr. Darling also, but they forgot about him.

Of course Mrs. Darling said at once that she would have them; but Mr. Darling was curiously depressed, and they saw that he considered six a rather large number.

“I must say,” he said to Wendy, “that you don’t do things by halves,” a grudging remark which the twins thought was pointed at them.

The first twin was the proud one, and he asked, flushing, “Do you think we should be too much of a handful, sir? Because, if so, we can go away.”

“Father!” Wendy cried, shocked; but still the cloud was on him. He knew he was behaving unworthily, but he could not help it.

“We could lie doubled up,” said Nibs.

“I always cut their hair myself,” said Wendy.

“George!” Mrs. Darling exclaimed, pained to see her dear one showing himself in such an unfavourable light.

Then he burst into tears, and the truth came out. He was as glad to have them as she was, he said, but he thought they should have asked his consent as well as hers, instead of treating him as a cypher in his own house.

“I don’t think he is a cypher,” Tootles cried instantly. “Do you think he is a cypher, Curly?”

“No, I don’t. Do you think he is a cypher, Slightly?”

“Rather not. Twin, what do you think?”

It turned out that not one of them thought him a cypher; and he was absurdly gratified, and said he would find space for them all in the drawing-room if they fitted in.

“We’ll fit in, sir,” they assured him.

“Then follow the leader,” he cried gaily. “Mind you, I am not sure that we have a drawing-room, but we pretend we have, and it’s all the same. Hoop la!”

He went off dancing through the house, and they all cried “Hoop la!” and danced after him, searching for the drawing-room; and I forget whether they found it, but at any rate they found corners, and they all fitted in.

As for Peter, he saw Wendy once again before he flew away. He did not exactly come to the window, but he brushed against it in passing so that she could open it if she liked and call to him. That is what she did.

“Hullo, Wendy, good-bye,” he said.

“Oh dear, are you going away?”

“Yes.”

“You don’t feel, Peter,” she said falteringly, “that you would like to say anything to my parents about a very sweet subject?”

“No.”

“About me, Peter?”

“No.”

Mrs. Darling came to the window, for at present she was keeping a sharp eye on Wendy. She told Peter that she had adopted all the other boys, and would like to adopt him also.

“Would you send me to school?” he inquired craftily.

“Yes.”

“And then to an office?”

“I suppose so.”

“Soon I would be a man?”

“Very soon.”

“I don’t want to go to school and learn solemn things,” he told her passionately. “I don’t want to be a man. O Wendy’s mother, if I was to wake up and feel there was a beard!”

“Peter,” said Wendy the comforter, “I should love you in a beard;” and Mrs. Darling stretched out her arms to him, but he repulsed her.

“Keep back, lady, no one is going to catch me and make me a man.”

“But where are you going to live?”

“With Tink in the house we built for Wendy. The fairies are to put it high up among the tree tops where they sleep at nights.”

“How lovely,” cried Wendy so longingly that Mrs. Darling tightened her grip.

“I thought all the fairies were dead,” Mrs. Darling said.

“There are always a lot of young ones,” explained Wendy, who was now quite an authority, “because you see when a new baby laughs for the first time a new fairy is born, and as there are always new babies there are always new fairies. They live in nests on the tops of trees; and the mauve ones are boys and the white ones are girls, and the blue ones are just little sillies who are not sure what they are.”

“I shall have such fun,” said Peter, with eye on Wendy.

“It will be rather lonely in the evening,” she said, “sitting by the fire.”

“I shall have Tink.”

“Tink can’t go a twentieth part of the way round,” she reminded him a little tartly.

“Sneaky tell-tale!” Tink called out from somewhere round the corner.

“It doesn’t matter,” Peter said.

“O Peter, you know it matters.”

“Well, then, come with me to the little house.”

“May I, mummy?”

“Certainly not. I have got you home again, and I mean to keep you.”

“But he does so need a mother.”

“So do you, my love.”

“Oh, all right,” Peter said, as if he had asked her from politeness merely; but Mrs. Darling saw his mouth twitch, and she made this handsome offer: to let Wendy go to him for a week every year to do his spring cleaning. Wendy would have preferred a more permanent arrangement; and it seemed to her that spring would be long in coming; but this promise sent Peter away quite gay again. He had no sense of time, and was so full of adventures that all I have told you about him is only a halfpenny-worth of them. I suppose it was because Wendy knew this that her last words to him were these rather plaintive ones:

“You won’t forget me, Peter, will you, before spring cleaning time comes?”

Of course Peter promised; and then he flew away. He took Mrs. Darling’s kiss with him. The kiss that had been for no one else, Peter took quite easily. Funny. But she seemed satisfied.

Of course all the boys went to school; and most of them got into Class III, but Slightly was put first into Class IV and then into Class V. Class I is the top class. Before they had attended school a week they saw what goats they had been not to remain on the island; but it was too late now, and soon they settled down to being as ordinary as you or me or Jenkins minor. It is sad to have to say that the power to fly gradually left them. At first Nana tied their feet to the bed-posts so that they should not fly away in the night; and one of their diversions by day was to pretend to fall off buses; but by and by they ceased to tug at their bonds in bed, and found that they hurt themselves when they let go of the bus. In time they could not even fly after their hats. Want of practice, they called it; but what it really meant was that they no longer believed.

Michael believed longer than the other boys, though they jeered at him; so he was with Wendy when Peter came for her at the end of the first year. She flew away with Peter in the frock she had woven from leaves and berries in the Neverland, and her one fear was that he might notice how short it had become; but he never noticed, he had so much to say about himself.

She had looked forward to thrilling talks with him about old times, but new adventures had crowded the old ones from his mind.

“Who is Captain Hook?” he asked with interest when she spoke of the arch enemy.

“Don’t you remember,” she asked, amazed, “how you killed him and saved all our lives?”

“I forget them after I kill them,” he replied carelessly.

When she expressed a doubtful hope that Tinker Bell would be glad to see her he said, “Who is Tinker Bell?”

“O Peter,” she said, shocked; but even when she explained he could not remember.

“There are such a lot of them,” he said. “I expect she is no more.”

I expect he was right, for fairies don’t live long, but they are so little that a short time seems a good while to them.

Wendy was pained too to find that the past year was but as yesterday to Peter; it had seemed such a long year of waiting to her. But he was exactly as fascinating as ever, and they had a lovely spring cleaning in the little house on the tree tops.

Next year he did not come for her. She waited in a new frock because the old one simply would not meet; but he never came.

“Perhaps he is ill,” Michael said.

“You know he is never ill.”

Michael came close to her and whispered, with a shiver, “Perhaps there is no such person, Wendy!” and then Wendy would have cried if Michael had not been crying.

Peter came next spring cleaning; and the strange thing was that he never knew he had missed a year.

That was the last time the girl Wendy ever saw him. For a little longer she tried for his sake not to have growing pains; and she felt she was untrue to him when she got a prize for general knowledge. But the years came and went without bringing the careless boy; and when they met again Wendy was a married woman, and Peter was no more to her than a little dust in the box in which she had kept her toys. Wendy was grown up. You need not be sorry for her. She was one of the kind that likes to grow up. In the end she grew up of her own free will a day quicker than other girls.

All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine-driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn’t know any story to tell his children was once John.

Wendy was married in white with a pink sash. It is strange to think that Peter did not alight in the church and forbid the banns.

Years rolled on again, and Wendy had a daughter. This ought not to be written in ink but in a golden splash.

She was called Jane, and always had an odd inquiring look, as if from the moment she arrived on the mainland she wanted to ask questions. When she was old enough to ask them they were mostly about Peter Pan. She loved to hear of Peter, and Wendy told her all she could remember in the very nursery from which the famous flight had taken place. It was Jane’s nursery now, for her father had bought it at the three per cents from Wendy’s father, who was no longer fond of stairs. Mrs. Darling was now dead and forgotten.

There were only two beds in the nursery now, Jane’s and her nurse’s; and there was no kennel, for Nana also had passed away. She died of old age, and at the end she had been rather difficult to get on with; being very firmly convinced that no one knew how to look after children except herself.

Once a week Jane’s nurse had her evening off; and then it was Wendy’s part to put Jane to bed. That was the time for stories. It was Jane’s invention to raise the sheet over her mother’s head and her own, thus making a tent, and in the awful darkness to whisper:

“What do we see now?”

“I don’t think I see anything to-night,” says Wendy, with a feeling that if Nana were here she would object to further conversation.

“Yes, you do,” says Jane, “you see when you were a little girl.”

“That is a long time ago, sweetheart,” says Wendy. “Ah me, how time flies!”

“Does it fly,” asks the artful child, “the way you flew when you were a little girl?”

“The way I flew? Do you know, Jane, I sometimes wonder whether I ever did really fly.”

“Yes, you did.”

“The dear old days when I could fly!”

“Why can’t you fly now, mother?”

“Because I am grown up, dearest. When people grow up they forget the way.”

“Why do they forget the way?”

“Because they are no longer gay and innocent and heartless. It is only the gay and innocent and heartless who can fly.”

“What is gay and innocent and heartless? I do wish I were gay and innocent and heartless.”

Or perhaps Wendy admits she does see something.

“I do believe,” she says, “that it is this nursery.”

“I do believe it is,” says Jane. “Go on.”

They are now embarked on the great adventure of the night when Peter flew in looking for his shadow.

“The foolish fellow,” says Wendy, “tried to stick it on with soap, and when he could not he cried, and that woke me, and I sewed it on for him.”

“You have missed a bit,” interrupts Jane, who now knows the story better than her mother. “When you saw him sitting on the floor crying, what did you say?”

“I sat up in bed and I said, ‘Boy, why are you crying?’”

“Yes, that was it,” says Jane, with a big breath.

“And then he flew us all away to the Neverland and the fairies and the pirates and the redskins and the mermaids’ lagoon, and the home under the ground, and the little house.”

“Yes! which did you like best of all?”

“I think I liked the home under the ground best of all.”

“Yes, so do I. What was the last thing Peter ever said to you?”

“The last thing he ever said to me was, ‘Just always be waiting for me, and then some night you will hear me crowing.’”

“Yes.”

“But, alas, he forgot all about me,” Wendy said it with a smile. She was as grown up as that.

“What did his crow sound like?” Jane asked one evening.

“It was like this,” Wendy said, trying to imitate Peter’s crow.

“No, it wasn’t,” Jane said gravely, “it was like this;” and she did it ever so much better than her mother.

Wendy was a little startled. “My darling, how can you know?”

“I often hear it when I am sleeping,” Jane said.

“Ah yes, many girls hear it when they are sleeping, but I was the only one who heard it awake.”

“Lucky you,” said Jane.

And then one night came the tragedy. It was the spring of the year, and the story had been told for the night, and Jane was now asleep in her bed. Wendy was sitting on the floor, very close to the fire, so as to see to darn, for there was no other light in the nursery; and while she sat darning she heard a crow. Then the window blew open as of old, and Peter dropped in on the floor.

He was exactly the same as ever, and Wendy saw at once that he still had all his first teeth.

He was a little boy, and she was grown up. She huddled by the fire not daring to move, helpless and guilty, a big woman.

“Hullo, Wendy,” he said, not noticing any difference, for he was thinking chiefly of himself; and in the dim light her white dress might have been the nightgown in which he had seen her first.

“Hullo, Peter,” she replied faintly, squeezing herself as small as possible. Something inside her was crying “Woman, Woman, let go of me.”

“Hullo, where is John?” he asked, suddenly missing the third bed.

“John is not here now,” she gasped.

“Is Michael asleep?” he asked, with a careless glance at Jane.

“Yes,” she answered; and now she felt that she was untrue to Jane as well as to Peter.

“That is not Michael,” she said quickly, lest a judgment should fall on her.

Peter looked. “Hullo, is it a new one?”

“Yes.”

“Boy or girl?”

“Girl.”

Now surely he would understand; but not a bit of it.

“Peter,” she said, faltering, “are you expecting me to fly away with you?”

“Of course; that is why I have come.” He added a little sternly, “Have you forgotten that this is spring cleaning time?”

She knew it was useless to say that he had let many spring cleaning times pass.

“I can’t come,” she said apologetically, “I have forgotten how to fly.”

“I’ll soon teach you again.”

“O Peter, don’t waste the fairy dust on me.”

She had risen; and now at last a fear assailed him. “What is it?” he cried, shrinking.

“I will turn up the light,” she said, “and then you can see for yourself.”

For almost the only time in his life that I know of, Peter was afraid. “Don’t turn up the light,” he cried.

She let her hands play in the hair of the tragic boy. She was not a little girl heart-broken about him; she was a grown woman smiling at it all, but they were wet-eyed smiles.

Then she turned up the light, and Peter saw. He gave a cry of pain; and when the tall beautiful creature stooped to lift him in her arms he drew back sharply.

“What is it?” he cried again.

She had to tell him.

“I am old, Peter. I am ever so much more than twenty. I grew up long ago.”

“You promised not to!”

“I couldn’t help it. I am a married woman, Peter.”

“No, you’re not.”

“Yes, and the little girl in the bed is my baby.”

“No, she’s not.”

But he supposed she was; and he took a step towards the sleeping child with his dagger upraised. Of course he did not strike. He sat down on the floor instead and sobbed; and Wendy did not know how to comfort him, though she could have done it so easily once. She was only a woman now, and she ran out of the room to try to think.

Peter continued to cry, and soon his sobs woke Jane. She sat up in bed, and was interested at once.

“Boy,” she said, “why are you crying?”

Peter rose and bowed to her, and she bowed to him from the bed.

“Hullo,” he said.

“Hullo,” said Jane.

“My name is Peter Pan,” he told her.

“Yes, I know.”

“I came back for my mother,” he explained, “to take her to the Neverland.”

“Yes, I know,” Jane said, “I have been waiting for you.”

When Wendy returned diffidently she found Peter sitting on the bed-post crowing gloriously, while Jane in her nighty was flying round the room in solemn ecstasy.

“She is my mother,” Peter explained; and Jane descended and stood by his side, with the look in her face that he liked to see on ladies when they gazed at him.

“He does so need a mother,” Jane said.

“Yes, I know,” Wendy admitted rather forlornly; “no one knows it so well as I.”

“Good-bye,” said Peter to Wendy; and he rose in the air, and the shameless Jane rose with him; it was already her easiest way of moving about.

Wendy rushed to the window.

“No, no,” she cried.

“It is just for spring cleaning time,” Jane said, “he wants me always to do his spring cleaning.”

“If only I could go with you,” Wendy sighed.

“You see you can’t fly,” said Jane.

Of course in the end Wendy let them fly away together. Our last glimpse of her shows her at the window, watching them receding into the sky until they were as small as stars.

As you look at Wendy, you may see her hair becoming white, and her figure little again, for all this happened long ago. Jane is now a common grown-up, with a daughter called Margaret; and every spring cleaning time, except when he forgets, Peter comes for Margaret and takes her to the Neverland, where she tells him stories about himself, to which he listens eagerly. When Margaret grows up she will have a daughter, who is to be Peter’s mother in turn; and thus it will go on, so long as children are gay and innocent and heartless.


If you would like you can download the entire novel at Project Gutenberg or look through it here.

21 responses to “Changing Endings”

  1. Denise Warren Avatar
    Denise Warren

    Changing the endings does not necessarily have to alter the entire story. It is just a continuation- an extension, where two individuals in the same story took different paths in life. I Like both endings. But prefer the second. The first, where Peter refuses to entertain the notion of an adult world, because I see the need for allowing children to be children and exist in their own world of play and pretend. However, in the play where Wendy grows up, it showed her willingness to grow up and accept the natural progression of adulthood and the responsibility that comes with it- which is a reality that every child must accept in the real world.

  2. Danielle Avatar
    Danielle

    I prefer the original ending of Peter Pan, where Wendy and her brothers return home, and Peter stays in Neverland, always remaining a boy. This ending feels bittersweet because it show the difference between growing up and staying young forever. Changing the ending could change the story’s message about childhood and the passage of time. If Peter decided to grow up or Wendy stayed in Neverland, the story would lose its theme of the inevitable nature of growing up and the magic of childhood memories.

    1. Jada Williams Avatar
      Jada Williams

      Hey Danielle, I like the way you worded your response. I think it is important to know about the concept of growing up and Time. We definitely see how it is a fairytale because of the idea of “staying young forever”. I do agree that the ending of a story can change the message as it may reflect on the idea of getting old and death. As we get older and if she would have stayed we would not be able to have a balance of that reality and fantasy. I love how you touch on childhood memories because it is important to know, which is also reflected by Barrie that adults forget what they once believed or experienced as a child until it may be brought to attention again through other youth. Similar to Wendy having trouble remembering Peter, but she knows the name and that she seen him before. It is about keeping hope alive and how to leave something for kids to look forward to.

  3. Aleksandra Grala Avatar
    Aleksandra Grala

    I like the original ending where Peter comes back, but Wendy is grown up, so he takes her daughter, Jane, to Neverland instead. It’s a little sad but also magical because it shows that kids grow up, but Peter never does. If the ending changed, it would change the story’s message. If Peter stayed with Wendy, it wouldn’t feel the same because he’s supposed to stay a kid forever. If Wendy went back to Neverland, it wouldn’t feel as emotional. The original ending keeps the story’s idea about childhood and growing up just right.

    1. Layla Ettu Avatar
      Layla Ettu

      I enjoyed reading your response, I feel that changing the story’s ending does change the overall story because the ending is what we always look forward too. It shows us how things play ended up playing out for each of the characters. I do like the original ending as well because I feel it was better for all the characters as well as the story line.

  4. Kajol Victoria Singh Avatar
    Kajol Victoria Singh

    Changing an ending to a story definitely alters one’s feelings towards the story. I think I prefer this ending where Peter Pan continues to take the daughters and granddaughters and so on to fly away.

    1. Malissa Solon Avatar
      Malissa Solon

      I’m leaning more towards the Original ending where Peter Pan stays a boy and Wendy make her way back home to her family.

  5. Synphanie Mojica Avatar
    Synphanie Mojica

    The ending I prefer is the book because when Wendy is old it shows how life goes on, but Peter Pan is just in an endless youth cycle around her. I think changing the ending can alter the overall meaning of the story because it can change the mood and emotions that are portrayed.

    1. Denise Warren Avatar
      Denise Warren

      Synphanie I agree with your choice on the preferred ending about Wendy finally accepting reality and letting go of her childhood in order to accept her responsibility as an adult. It does show that real life is not stagnant, but must go on.

  6. Sophia Awad Avatar
    Sophia Awad

    I agree with one of my classmates, Synphanie, who states that the best ending is that of when time passes and we see Wendy as an older woman while Peter Pan remains the same age. This allows for an echoing of the concept of time and the cycle in which Peter Pan remains while the rest of the world moves on and changes. I believe that changing the ending of a story ultimately alters the lesson or value that the story is aiming to teach. This is because it portrays the end of the characters’ journey and leaves the reader with something that will become the last thing they remember of the story and thus show how the story impacted them.

  7. Amy Merino Avatar
    Amy Merino

    I agree with the fact that ending don’t have to change the story but I personally like the story where Wendy returns with her brothers this ending where she grows old and he comes to visit and takes her daughter is a bit sad. It’s bitter sweet because we see her stays visiting the same family but it’s also sad that he never grew up and it’s lost like every time he loses someone because it’s never the same person.

  8. Isabel Belasoto Avatar
    Isabel Belasoto

    I agree with the idea that this is an idea that is not necessarily different from one another it is just told from another point of view which in term would just lead to a different course of action. I do prefer Wendy’s ending because there is this idea that she moves on, Peter had no intention from moving on and wanted to continue the cycle because he was avoiding many things.

  9. Jacklyn Serrano Avatar
    Jacklyn Serrano

    I like the original ending. It is the perfect bittersweet between the happiness and sadness of growing up. The magic and joy of childhood and the inevitability that adulthood will come. Altering the story could change the moral of the story.

  10. Calista Spezio Avatar
    Calista Spezio

    I liked the ending where Wendy ends up growing old while Peter Pan stays young forever, unchanged by all the time passed. I like this one better because it shows both the beauty of growing old and staying youthful. I think changing the ending has a big impact on the overall message/theme of the story. The ending typically shows a lot about the final message the author wants to share, changing that would change a lot.

  11. Aliviya Iskhakova Avatar
    Aliviya Iskhakova

    I like this ending where it becomes sort of a family tradition where Peter first took Wendy to Neverland, then her daughter Jane, then Jane’s daughter Margaret. It is nice to see the contrast of Peter remaining exactly the same, baby teeth and all, as Wendy and her family keep getting older as Peter is able to interact with multiple generations of the family. Endings to stories do absolutely change how a reader is left feeling after the fact. Whether the ending is sad or happy or whether the ending is satisfying or forgetful will dictate how much the audience likes or dislikes the story.

  12. cindy ambrosio Avatar
    cindy ambrosio

    I like the original ending better. I think its a bittersweet moment when wendy is too grown to go with peter, so he takes her daughter instead. We can see how good friends arent forgotten, no matter how many years have passed. This ending gives the reader a peace of mind in which we know that peter will continue bringing happiness to children and he will never die or be a forgotten person

  13. Leslie Talavera Avatar
    Leslie Talavera

    I honestly prefer the original since it comes to show how he comes back to look for wendy only to realize that she has grown up and she isnt a child anymore. and although he took her child, it felt as if he took her just for the sake of having a part of wendy that he will never get to see again.

  14. Salma Avatar
    Salma

    Reading this ending made me feel a mix of sadness and sweetness. It really hit me how Peter stays the same while everyone else grows up and moves on. I felt for Wendy when Peter didn’t remember things that were so important to her shows how time changes us and how holding on to childhood can sometimes mean letting go of reality.

  15. Shania Smith Avatar
    Shania Smith

    I prefer the original ending with Wendy and her brothers returning home. Changing the ending doesn’t mean the entire story si changed, but it possibly makes the story less loved by an audience.

  16. chadeary park Avatar
    chadeary park

    I prefer the ending where Peter comes back for Jane. It shows how childhood doesn’t last, but its magic can still return in new ways. Changing the ending makes the story feel more emotional and reflective. It turns Peter into a symbol of childhood that stays the same while everyone else grows up.

  17. Zoe Davis Avatar
    Zoe Davis

    I also prefer the original ending. Peter staying young matches his character more and makes him seem more magical. It’s his nature. I’m not sure he would be a symbol of youth if he decided to grow up with Wendy.

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